Luna, Rob
McNurlin, Wiley Dew celebrate CD releases at Paramount Joe's
By Dave Lavender
The Herald-Dispatch
ASHLAND -- There truly is
"Something in the Water" in Eastern Kentucky where talent for singing
and picking country, gospel and bluegrass music seems to seep up out of
the ground.
Tonight, hold on tight to the
forked branch, it's water witching down on a rich spring of new music
in the old-time way.
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Three of the Tri-State's
funkiest Americana artists and mighty fine songwriters drop three new,
and widely varying CDs, on the same night.
Good friends and kindred
musical spirits, Rob McNurlin and The Beatnik Cowboys, Luna and Wiley
Dew have teamed up for the "Triple CD Release Party Bash" at 7 tonight
at the Paramount Arts Center, 1300 Winchester Ave.
Cover is $5.
To borrow a Jesse Stuart
phrase, the thread that runs so true through these new sweet releases
is the touch of family, the presence of porch-aged homemade music, and
a true air of Appalachian ingenuity and originality.
Fresh back from The Far Out
West tour that had Luna (Teresa Prince) and McNurlin playing such
hallowed and downhome venues as the famous Threadgill's in Austin, the
three artists thought it would be good to team up and celebrate the
release of McNurlin's "Sacred Numbers," a harmonica-swept, cowboy boot
heeled-journey through some of the best parchment of the Southern
gospel canon; Luna's self-titled CD, a poetry-filled clothesline of
hill-soaked songs dressed with her husband Dave's jangling electric
guitar, and Wiley Dew's "Climb Up Mountain," whose 15
nearly-all-original Celtic-hewn songs are equally as good as the CD's
cliff-hanging album art taken at Raven Rock, outside of Portsmouth, in
1917.
Luna, a Fallsburg, Ky.,
resident who toured in Europe in 2004 with McNurlin and her husband
Dave, said after kicking up dust in 15 states out West with McNurlin,
the CD party makes a great homecoming and gathering for the three
artists who are all featured in the original musical, "Something in the
Water," that was written by Mickey Fisher and Ritch Collins.
"We will surely fill the place
up if the people show up who say they're coming," Luna said. "My family
alone, if they show up, there won't be room for anybody else."
If you do show up, Luna is
bringing cake and all three CDs, which are getting airplay in the
region, will be for sale.
"We all had CDs coming out at
the same time and we were like let's just have a big bash because we
all love each other," said Yates, whose song "Swimming Upstream," was
written with Wiley Dew mandolin player, Steve Byington, is getting
airplay on WMKY-FM, Morehead State University's public radio station.
All of the CDs are touched by
the deft musical hands of McNurlin, who is one of the prominently
featured artists in Roger Sherman's upcoming national documentary, "The
Rhythm of My Soul: Kentucky Roots Music" as well as a new DVD from the
Woody Guthrie Festival.
Yates recorded her CD at
McNurlin's Buffalo Skinner Studios, McNurlin and Luna's CDs are on his
label and McNurlin plays bass and harmonium on Luna's CD and the
harmonium, harmonica and the uh, Celtic electric sitar on Wiley's
record.
"He was actually going to buy
a sitar because he thought it would sound really good on the record,"
Yates said. "We got down to Dave Barrick's studio and there was a sitar
on the wall. He was so thrilled about that because it just sounds so
cool."
All three of the CDs were
mixed and mastered at Barrick's studio in the western Kentucky town of
Glasgow where Barrick uses some recording equipment from the famous
Abbey Road Studios to capture the warm tones and good vibes.
Barrick, who cut the Kentucky
Headhunters' great CD with Johnny Johnson, is currently working with
such acts as Black Stone Cherry, one of this year's X-Fest headliners.
Not only is Barrick's hand on
the recordings, but Luna felt the spirit and included a cool photo of a
paint-peeling church pew in his backyard on the inside of her CD jacket.
Luna, who artistically is like
Lucinda Williams' little twisted sister, also included some yard art
from her own place including a skeleton on the piano and the CD cover
of an old doll that is in a tree in her yard.
"I love stuff like that," Luna
said. "You know Hillbilly Hotdogs, the outside of my house is pretty
much like that."
McNurlin, who has always
blended lots of gospel into his sets of folk and original songs from
the road, lets the Beatnik Cowboy roam on "Sacred Numbers" putting
their own twist and his old-time Ernest Tubb-approved twang on such
gems as "The Old Account," "Workin' On a Building," "The Great Speckled
Bird," and "Hold to God's Unchanging Hand."
Yates said a lot of her lyrics
come filtered through the many stories of her grandma who will be 102
in October, spiced, of course, with Yates' self-described "overactive
imagination.
An album favorite is "Don't
Give Up," a sweetly-sung gospel, killing song about a woman pleading to
Jesus for redemption after killing her abusive husband after he had a
night of mean drinking.
"She always tells these
stories about grandpa coming in drunk and her throwing poker irons at
him," Yates said. "I just added a lady wrapping a rope around his head."